I’m on the right track, baby, I was born to survive!
The stereo blasted Lady GaGa like there was no tomorrow, and Claire danced accordingly, using a celery stalk as her pretend-microphone. She was home alone for the first time in weeks, and the first thing she did was lock all the doors, draw all the blinds and curtains, put on a light skirt and her favourite blouse and turn on the stereo as loud as she liked it. Next came Lady GaGa and, bam!, instant magic.
It had been a stressful week, and dancing and singing helped her unwind. She was so into it currently, that she nearly missed the frantic knocking at the back door. Sighing and cursing colourfully under her breath, she paused the stereo and grabbed the metal bat she kept by the front door before going towards the back. She peeked through the curtains, and blinked in confusion.
There was a middle-aged man at the door, holding a beat-up wooden box in one arm and a cylinder in the other. It didn’t look like anything Claire had ever seen before, and about a thousand alarms went off in her head. If that wasn’t enough, his clothes looked… odd, to say the least. The fabric they were made of looked very stiff, like old, dirty clothes tend to get, but these looked new. The man’s hair was probably the weirdest thing of all, though – it seemed to defy gravity, sticking every which way in shapes that she’d only seen in video games and anime.
All things considered, she shouldn’t open the door. She should call the cops and tell them that maybe someone had escaped the local psych ward and was currently stalking her. Something about the man, however, overrode thousands of years of survival instincts and Claire opened the door… bat still in hand, of course.
“You have thirty seconds to tell me who you are.” Her voice was calm and collected, and had just enough edge to it to be slightly threatening without sounding violent. Working for tech support had its advantages.
The man, however, didn’t look threatened, not even baffled. It was almost as if he was expecting Claire’s reply, and that made her nervous.
“Hello, Claire. My name is Edgar, and I will not harm you. So, could you please drop the metal bat you’re holding in your left hand? I assure you there’s no need for it.”
There was a loud clang as the bat hit the floor, and a curse as Claire was startled by the sound. Tech support did not prepare you for this kind of thing. Because, sure, the man could’ve guessed she had a weapon concealed… but how did he know the specifics of it? And her name, for that matter? She’d never seen him before, she was absolutely certain of it.
“You’re correct, to an extent,” the man said, shifting his stance and rearranging the box under his arm. “Now, I know how this is going to sound, but would you be so kind as to let me in? These things are heavy, and there’s much I need to tell you, with little time to spare.”
“Correct in what?” Claire blurted, already knowing the answer but still refusing to believe this man had actually read her mind.
“Like I said, Claire, there’s really not much time left, and you’re not the only person I have to meet today.”
Stepping outside, Claire closed the door behind her. She regretted it a split second later, but there was no way she’d let this man into her house without getting some more information first. Besides, her snoopy neighbour would have a clear view of the going-ons, and would call the police if things got out of hand – never did she think she’d be grateful for old Mrs. Sarandon’s meddling.
“You’re not coming into my house if you don’t tell me who you are and what you want.”
Edgar shifted his stance again, maneuvering the cylinder so it was tucked under his arm along with the box, and reached into his slacks’ back pocket, producing an envelope, which he gave to Claire. She took it warily, not taking her eyes off the man in front of her while she opened the envelope; she pulled out something that felt like a picture, and looked at it.
“… is this a joke?” She asked, hands shaking and brow furrowing.
In the picture, she stood next to three people she knew, and two she had never seen before. Well, one – Edgar was one of them. Those she recognized were her sister Hazel, her uncle Marco and a co-worker, Bill. They all looked at least 20 or 30 years older, and their clothes were similar to the one’s Edgar currently wore. The picture was taken in front of Claire’s house, which looked like it was about to fall apart – she thought she could see a rundown rocket sticking out from the backyard, but she wasn’t sure.
The first thing that crossed her mind was that it had to be a photo manipulation – a damned good one, at that -, but there was something about it that screamed against that notion. After a couple of minutes, Claire figured out what it was – the paper. No, the ink – the ink and the paper. The paper was far too porous for regular ink to be properly absorbed for the picture to be as sharp and defined as it was. More than a picture, it seemed as if she were looking at an image in a small LCD screen or something.
“Well?” she asked, once again looking at Edgar, this time fear mixing with outrage – at what, she couldn’t say, but it was there.
“It is not a joke, I assure you. That picture you have there was taken yesterday by my wife, Cristina. Yesterday for me, 23 years from now to you. The people in it are you, your sister, uncle and a co-worker that will become Hazel’s husband. Plus my nephew Tony and myself. I’m sure you recognize this house as the one in the picture.” Claire nodded, but said nothing, so Edgar went on. “I don’t expect you to believe me right off the bat, but I’ve come from the future to warn you and those in the picture not to board the escape pods five years from now.”
“You’re crazy,” Claire said, turning to go back into the house. “Leave now or I will call the police.”
“I can prove it,” Edgar said, dropping to one knee and placing the box in front of him. He didn’t check if Claire had turned around; he simply opened the box and produced a tape recorder that looked home-made. He pressed play, and Claire’s voice, older and sickly-sounding, came forth.
“My name is Claire Mills. Today is Thursday, June the second, year 2034. The time is 13:20, and it’s raining outside. With me are my sister Hazel Collins, our uncle Marco Tomassi, and my brother-in-law Bill Collins. Outside are Edgar Johanssen, his wife Cristina Johanssen and their nephew Tony Michaels.”
Other voices spoke up as each name was called, and Claire recognized her relatives… and herself. She was pale now, and trembling, looking wide-eyed at the recorder.
“We are the only survivors in our block, and are staying over at my house. However, we will soon need to find another place, because the shuttle out in the backyard is about to crush what’s left of the house.
“Whoever is listening to this must pay attention to what Edgar has to say, as our lives depend on it.” A painful coughing fit interrupted her, and present-day Claire winced, bringing a hand to her neck in empathy. “Your lives, to be precise. This is not a joke, not a montage. It’s all very real, but more importantly, it can be prevented. Listen to Edgar.”
***
Fifteen minutes later, Claire was pouring a cup of coffee for Edgar and a third shot of tequila for herself. They were in the kitchen, the cylinder and the box’s contents cluttering most of the table. Other than the tape recorder, there were ticket stubs, more pictures, newspapers and journals, at least one of which was Claire’s. The cylinder, Edgar had explained, contained his means to return to his own time, and shouldn’t be opened until he was ready to do so.
They sat in silence while Claire read the journal she’d written… or, would write. There was no doubt it was her handwriting, and her writing style, but the tone was bitter, something she didn’t associate with herself. However, she supposed the death of her parents, most other relatives and friends could have something to do with it. Halfway through, she stopped reading and looked at Edgar again.
“You said you don’t have much time, and that there are others you need to meet. So, what’s this thing about escape pods?”
“Five years from now, there’s going to be a world-wide nuclear crisis. Or so we’ll be told. The governments of all countries will then get as many people as they can into escape pods – they’ll look like the rocket thing in the first picture I showed you. You’ll be told those pods will take you to the Moon, Mars and asteroid Aeria, which in a few months from now will be deemed as habitable. In truth, none of the pods will reach either of those places – they’ll leave Earth and float around it for over 10 years, then an automated system will bring them back down. By then, most people will have already died, and those who survive will be extremely ill – you’ll end up being one of the ones worse off.”
“So, if there’s no nuclear crisis… what happens?”
“We still don’t know. All we know is, the people that were left behind are fine, and the ones who left are not. The details are not important, Claire. All that matters is you have to stay behind; you have to avoid getting on the pods at all costs, and you must find out what’s going on. We’ve been trying, but it seems the records and most other information were wiped out while we were up in space. The past is our only hope now.”
“How the hell am I supposed to find that out? I mean, it’s not like I can go to the government or the FBI or CIA or whatever and–”
“No! You mustn’t do that! You’ll get caught and nothing will be accomplished that way! You still have time, so be careful. I’ll leave your journals with you, so you can go through them – maybe you will find a hint, a clue, something to guide you through this. But you must be careful!”
Claire could only sigh and nod wearily. She had no idea why, but she believed everything she’d been told so far, and it depressed her to no end. She could foresee tons of Lady GaGa and Queen in her near future…
***
Half an hour later, Edgar was gone and Claire was alone again. Her journals, the one she’d yet to write but were already with her, lay hidden at the top of her wardrobe. On the stereo, Lady GaGa was begging some Alejandro guy to leave her alone, and Claire danced like there was no tomorrow.